Jimi Hendrix was very probably the greatest solo rock artist of all time. With a deceptively theatrical sexuality, he wrought a molten and massive body of sound, which left his contemporaries sounding small, monochrome and tinny by comparison, a body of sound which is still awe-inspiring today.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language.