Essential for students of theatre studies, this series of six decadal volumes provides a critical survey and study of the theatre produced in each decade from the 1950s to the present. The 1990s volume freshly evaluates the work of Sarah Kane, Mark Ravenhill, Anthony Neilson and Philip Ridley, besides others.
The primary aim of this book is to focus on contemporary issues and to promote interdisciplinary approaches within the subject. Written by international scholars and practitioners in fields such as folklore, ethnomusicology, art history, religious studies, tourism and education, the book brings together in one volume a wide range of perspectives.
Focuses on power to shape a history of Cultural Studies. An analysis of the nature and purpose of Cultural Studies, this book assesses the development of the discipline from the work of Michel Foucault in post-war France and the Birmingham Centre for Cultural Studies in the 1970s to the expansion of the field in the United States.