Concentrating mainly on the novels from 1960 to the present day Amanda Greenwood contests critical perceptions of O'Brien as a narrow chronicler of women's inner lives, arguing that O'Brien's writings are not only radical but deeply revealing of the position of women under patriarchy in Ireland and beyond; the later texts suggest the need for revisions of the social and symbolic orders.
The Croatian film scene has remained largely inaccessible until now. In this first comprehensive volume on the subject recognized scholars explore not only its recent history, since the establishment of the Croatian state, but also revisit its development during the Yugoslav period.
