From his grave in the precincts of Canterbury Cathedral, Dallas Sweetman is called to give account. He tells a story of love and death, jealousy and miraculous happenings, of the divided loyalties of Protestants and Catholics in the Elizabethan Age. The lost tradition of staging new plays at Canterbury Cathedral, most famously T.
Jones explores encounters with failure by nineteenth-century American writers - including Poe, Melville and Twain - whose celebrated works more often struck readers as profoundly messy, flawed and even perverse. Here, they emerge as theorists of failure who discovered ways to translate their own social insecurities into complex portrayals of a modern self.
