Sydney, 1948. Brilliant German surgeon, Hugo Winter, is dead, and his protégé, Lucy Brynne, is tasked with sorting his papers. Among them, Lucy finds glimpses of Hugo's past that paint a disturbing picture of war and prejudice - a portrait of Australia she can barely recognise.
"Why," asks Nick Bromell, "should the political thought of white Americans remain the only theory to which Americans of all ethnicities turn when constructing and reconstructing their understanding of democracy? Must Americans remain locked in an apartheid of experience and perception even after whites ...