This offers an understanding of British Cinema between 1928 and 1939 through an analysis of the relationship between the British film industry and other 'culture industries' such as the radio, music recording, publishing and early television.
Shows that a theistic epistemology incorporating Platonic and Aristotelian/Thomist elements can revitalize the Cartesian approach to the solution of the central problems of epistemology, including that most elusive of prizes - the proof of the external world. This book is suitable for students of epistemology, metaphysics, and philosophy.
