In the world of amateur theatre, the role of director is challenging and wide-ranging. You can face problems on any aspect of the production which you will be expected to solve. This book contains all the advice you will need to successfully direct and manage an amateur show.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language.