Stage & Screen

This book locates Richard II firmly amidst the late-sixteenth-century heated debates between champions of absolute monarchy and advocates of a more limited, democratic style of government; debates which culminated in the 1640s in the deposition and killing of an actual monarch - Charles I.

A romp through the worlds of fashion, film, and titillating journalism that made 1950s Rome the sexiest capital on the planet.

Traces the life and career of the legendary director, discussing the making of "Citizen Kane," his contributions to such films as "The Magnificent Ambersons" and "The Lady from Shanghai," and his efforts in radio comedy, spectacular theater, and newspaper politics.

"Do You Mind If I Smoke? tells the story of Fenella Fielding's remarkable 65-year career in theatre, radio, TV and film. Best known for her 1960s film appearances in classic comedies such as Carry On Screaming, Doctor in Clover and Carry On Regardless, Fielding's sublime talents also brought her success ...

Oh What a Lovely War is a theatrical chronicle of the First World War, told through the songs and documents of the period. Devised and first performed by Joan Littlewood's Theatre Workshop at the Theatre Royal, Stratford East, London in 1963, it received the acclaim of London audiences and critics. ...

Harley Granville Barker, the most influential theatre-maker of his time, finds himself adrift in America during the Great War.

London, the 1860s. Rose Trelawny is the brightest young star at the Sadler's Wells Theatre. Set amongst theatrical folk and the non-theatricals they seek to please and provoke, Trelawny of the 'Wells', by Arthur Wing Pinero, premiered at the Royal Court Theatre, London, in January 1898.

Neil LaBute is one of America's most provocative and lauded playwrights, and his darkly exhilarating talent is on glorious view in this new collection. "Things We Said Today" features the scripts for Neil LaBute's groundbreaking Directv project "10x10"--a series of short films written and directed by ...

- he hadn't forgotten i was there - he just didn't care whether i was there or not - it would've been better him forgetting rather than not caring at all

Gerry and Iggy face the ends of their lives in a London hostel.

A stranger washed up on the shores of a great city claims to be Odysseus, sacker of Troy. To do so he must tell his remarkable tale of ten years' wandering amongst giants, nymphs, sirens and lotus eaters. The story of a man who won a war abroad and lost everything in search for home.

The trajectory of Hong Kong films had been drastically affected long before the city's official sovereignty transfer from the British to the Chinese in 1997. The author introduces the "Cinema of Transitions," using examples from the 1980s to the present, to study New Hong Kong Cinema and on- and off-screen life against this background.

The story of Yasutsune "Tony" Hirashiki's ten years in Vietnam-beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out.

Based on research at the Australian National Film and Sound Archive, a film studies academic provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced.

A lifelong geek lays out the history and aesthetic of this geekiest of moments in popular culture, beginning and ending with surprising new readings of Star Wars, the big bang of contemporary fandom.

"Dramatis personae: the rise of medieval and renaissance theatre, the third volume in the series, resumes the narrative after the disappearance of Greek and Roman drama. The book traces the return of religious theatre and ritual, with Passion Plays, Mysteries and Moralities taking over classical dramas. ...

The leading account of Central Eastern European popular cinemas, providing a historical and a contemporary perspective on Hungarian, Polish and Czech/Czechoslovakian mainstream cinemas before, during and after the socialist period.

Most people are unprepared to face a basic survival situation, let alone a zombie uprising. What happens when all of the trappings of civilisation are ruthlessly stripped away? The electricity stops running, and there's no easy way to preserve food or get water from the tap. The law of the land becomes the Law of the Jungle.

Despite being two key sites for filmmaking in the Soviet bloc, the national cinemas of Czechoslovakia and East Germany have received comparatively little attention from scholars.