A history and guide to the lives, regional involvement and working methods of some 400 artists who painted the British countryside from the early 18th century to the present day. 250 entries in the book cover a wide range of subjects from ruins and wild countryside to industrial towns.
The fifth in a series of volumes from the annual British Silent Cinema Festival held in Nottingham (and the first to be published by Exeter), this collective study offers an original treatment of the relationship between pre-1930 cinema and landscape.