This text examines the complex forces pushing and constraining technological developments in cinema. It contests the view that technological advance is simply the result of scientific progress. Rather, the author argues that social forces control the media technology agenda at every stage.
Dr. Caoimhe McAvinchey, Fabio Santos, Lucy Richardson
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An international arts organisation and network engaging with music, dance, theatre and visual art, Phakama creates adventurous, site-responsive performances with large groups of people from diverse backgrounds. With contributions from participants, artists, academics and cultural commentators from India, ...
This book argues that political-economic features of the U.S. commercial media system have generated news coverage that favors neoliberal viewpoints during pivotal domestic policy debates since the early 1980s. It also demonstrates that this coverage can shape public opinion to support policies that exacerbate economic and political inequality.