Writer and critic Ziauddin Sardar tells the stories of different interpretations of Islam and argues for a critical version of a religion that has a long and distinguished history.
Responds to the explosion of gay and lesbian creativity on modern-day France. This book seeks to open up 'homotextualities,' understood as constructions and deconstructions of both homosexuality and its environments. It provides an assessment of this approach when dealing with a tradition notoriously discreet about the concept of a gay writer.