A concise history of popular theatre in the 20th and 21st centuries. This book questions how we define the distinguishing principles of popular theatre, considers the use of popular forms in experimental and avant-garde theatre, and introduces a range of international artists and theatre makers.
Part of the Decades of Modern British Playwriting series, the volume provides a critical survey of the theatre produced in the 1950s together with detailed studies by a team of experts of the work of T. S. Eliot, Terence Rattigan, John Osborne and Arnold Wesker.